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GHIRLANDAIO, Domenico Portrait of the Donor Nera Corsi Sassetti oil painting reproduction


GHIRLANDAIO, Domenico
Portrait of the Donor Nera Corsi Sassetti
Gemälde IDENTIFIZIERUNG::  44378
 c. 1485

 
 
   
      


GHIRLANDAIO, Domenico Portrait of the Donor Nera Corsi Sassetti oil painting reproduction


GHIRLANDAIO, Domenico
Portrait of the Donor Nera Corsi Sassetti
Gemälde IDENTIFIZIERUNG::  63003
 1485 Fresco Santa Trinit? Florence "In two pictures on either side he painted Francesco Sassetti kneeling, and Madonna Nera, his wife and her children, the latter being in the scene above where the boy is raised to life, with some beautiful maidens of the same family" (Vasari). The two donors are in prayer on either side of the altar, as if they are taking part in the Adoration of the Shepherds depicted on the altarpiece. Linking the frescoes and the central panel painting in this way, Ghirlandaio creates what is almost a triptych. Astonishingly enough, the wife, Nera Corsi Sassetti, is occupying the traditionally more distinguished position on the right of the religious scene. At the base is the painted inscription: A.D. MCCCCLXXX. XV decembris. This could be the initial date of the work whose conclusion is in the great altarpiece with the Nativity, dated 1485. Artist: GHIRLANDAIO, Domenico Painting Title: Portrait of the Donor Nera Corsi Sassetti , 1451-1500 Painting Style: Italian , , portrait

 
 
   
      
GHIRLANDAIO, Domenico
Italian Early Renaissance Painter, 1449-1494
Portrait of the Donor Nera Corsi Sassetti
1485 Fresco Santa Trinit? Florence "In two pictures on either side he painted Francesco Sassetti kneeling, and Madonna Nera, his wife and her children, the latter being in the scene above where the boy is raised to life, with some beautiful maidens of the same family" (Vasari). The two donors are in prayer on either side of the altar, as if they are taking part in the Adoration of the Shepherds depicted on the altarpiece. Linking the frescoes and the central panel painting in this way, Ghirlandaio creates what is almost a triptych. Astonishingly enough, the wife, Nera Corsi Sassetti, is occupying the traditionally more distinguished position on the right of the religious scene. At the base is the painted inscription: A.D. MCCCCLXXX. XV decembris. This could be the initial date of the work whose conclusion is in the great altarpiece with the Nativity, dated 1485. Artist: GHIRLANDAIO, Domenico Painting Title: Portrait of the Donor Nera Corsi Sassetti , 1451-1500 Painting Style: Italian , , portrait

Related Paintings to GHIRLANDAIO, Domenico :.
| Women on the terrace | Caryatid (mk39) | THe Last Judgement Novgorod School | Portrait of the Painter Jean-Baptiste Oudry | Concert Champetre |

        
 
   
 

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